Welcome to the Death of A Salesman Assignment: Have Patience!

I have changed the Due Date for the Essay to May 08, 1996, cpb









George C. Scott as Willy Loman,
returning from Yonkers
(Circle in the Square Production, 1975)




General Instructions: As advertised above (change from the Reading Syllabus for En 07,) by class time on May 08 I am to receive a critical essay of about four pages on Arthur Miller's famous playDeath of a Salesman. The essay must reach me both as a traditional paper copy and as a Macintosh document in Microsoft Word 5.1. I have developed a Style Sheet, outlining the specific document conventions you need to observe when producing a printed, not typed, document, for your convenience. Be forewarned, you'll probably have to forget a few of the rules your old typing teacher taught you. the Mac is not a typewriter, and we should take advantage of its ability to reproduce the standards of the traditional print shop! Failure to meet all terms will result in a penalty, unless I can be persuaded to modify the terms. For additional information on revising papers, my grading policies, etc., click here.


The Issue in Descriptive Form: Arthur Miller, as his famous essay attests, thought of Willy Loman, the protagonist of his Death of a Salesman, as a tragic hero. According to Miller, Willy Loman's social status (or lack thereof) is inconsequential. I agree; however, I wish to object to Miller's central assertion on the grounds that Willy Loman fails to meet the critical requirement for a tragic protagonist, a requirement recognized since the days of Aristotle: he is not somebody I could possibly look up to. I can't think of Willy Loman as somebody I could possibly call "noble." As I see it, Willy Loman lacks "nobility"--which has nothing to do with social status and other such externals. I find him a "pathetic" character. Willy Loman never achieves the kind of insight into himself I "demand" of a would-be tragic protagonist. Instead of searching for the truth, including the truth about himself, Willy Loman tells Biff he does not wish to hear it, preferring to persist in his silly notion of what matters in life and ending it all by avoiding to face the consequences of a life spent in pursuit of phoney values and filling his sons with hot air. I don't believe that "attention must be paid" to Miller's protagonist. I see hope in Biff, though, and I pity Linda. Even his suicide, far from being of the kind of awful act we see Othello commit, turns out to be another escape from reality: Linda won't even get the life insurance premium, as far as I can tell, and Willy Loman ought to have known that.

In your essay of circa four pages (usual technical stipulations) try to respond to my challenge; it does not matter where you come down, so long as you provide sufficient, specific support from the text of Miller's popular play for your conclusions. If you have ideas or a draft you want to have me respond to, stop by my office with everything you want me to review on paper. Good Luck

New Due Date: May 08, 1996.


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